• Sign In
  • Help
  • My Basket0
Darwin's Camera: Art and Photography in the Theory of Evolution (Hardback)
  • Darwin's Camera: Art and Photography in the Theory of Evolution (Hardback)

Darwin's Camera: Art and Photography in the Theory of Evolution (Hardback)

Hardback 320 Pages / Published: 29/10/2009
  • We can order this

Usually despatched within 3 weeks

  • This item has been added to your basket

Check Marketplace availability

Darwin's Camera tells the extraordinary story of how Charles Darwin changed the way pictures are seen and made. In his illustrated masterpiece, Expression of the Emotions in Man and Animals (1871), Darwin introduced the idea of using photographs to illustrate a scientific theory-his was the first photographically illustrated science book ever published. Using photographs to depict fleeting expressions of emotion-laughter, crying, anger, and so on-as they flit across a person's face, he managed to produce dramatic images at a time when photography was famously slow and awkward. The book describes how Darwin struggled to get the pictures he needed, scouring the galleries, bookshops, and photographic studios of London, looking for pictures to satisfy his demand for expressive imagery. He finally settled on one the giants of photographic history, the eccentric art photographer Oscar Rejlander, to make his pictures. It was a peculiar choice. Darwin was known for his meticulous science, while Rejlander was notorious for altering and manipulating photographs. Their remarkable collaboration is one of the astonishing revelations in Darwin's Camera. Darwin never studied art formally, but he was always interested in art and often drew on art knowledge as his work unfolded. He mingled with the artists on the voyage of HMS Beagle, he visited art museums to examine figures and animals in paintings, associated with artists, and read art history books. He befriended the celebrated animal painters Joseph Wolf and Briton Riviere, and accepted the Pre-Raphaelite sculptor Thomas Woolner as a trusted guide. He corresponded with legendary photographers Lewis Carroll, Julia Margaret Cameron, and G.-B. Duchenne de Boulogne, as well as many lesser lights. Darwin's Camera provides the first examination ever of these relationships and their effect on Darwin's work, and how Darwin, in turn, shaped the history of art.

Publisher: Oxford University Press
ISBN: 9780195150315
Number of pages: 320
Weight: 880 g
Dimensions: 262 x 185 x 21 mm

Philip Prodgers * William Baker, Years Work in English Studies *
the book is invitingly designed and well-illustrated * Art Newspaper *

You may also be interested in...

The Oxford Dictionary of Art and Artists
Added to basket
Northern Renaissance Art
Added to basket
Added to basket
Beauty: A Very Short Introduction
Added to basket
Design: A Very Short Introduction
Added to basket
Decadence: A Very Short Introduction
Added to basket
Art History: A Very Short Introduction
Added to basket
The Lives of the Artists
Added to basket
Classics: A Very Short Introduction
Added to basket
Added to basket


Please sign in to write a review

Your review has been submitted successfully.