The definitive history of how witchcraft and black magic have survived, through the modern era and into the present day
Cursed Britain unveils the enduring power of witchcraft, curses and black magic in modern times. Few topics are so secretive or controversial. Yet, whether in the 1800s or the early 2000s, when disasters struck or personal misfortunes mounted, many Britons found themselves believing in things they had previously dismissed – dark supernatural forces.
Historian Thomas Waters here explores the lives of cursed or bewitched people, along with the witches and witch-busters who helped and harmed them. Waters takes us on a fascinating journey from Scottish islands to the folklore-rich West Country, from the immense territories of the British Empire to metropolitan London. We learn why magic caters to deep-seated human needs but see how it can also be abused, and discover how witchcraft survives by evolving and changing. Along the way, we examine an array of remarkable beliefs and rituals, from traditional folk magic to diverse spiritualities originating in Africa and Asia.
This is a tale of cynical quacks and sincere magical healers, depressed people and furious vigilantes, innocent victims and rogues who claimed to possess evil abilities. Their spellbinding stories raise important questions about the state’s role in regulating radical spiritualities, the fragility of secularism and the true nature of magic.
Publisher: Yale University Press
ISBN: 9780300254778
Number of pages: 360
Dimensions: 197 x 127 mm
“The amount of material Waters has unearthed is impressive, especially given the deliberate invisibility of witchcraft’s practitioners. His book is a salutary reminder that the modern world is not immune to superstition”— Robert Leigh-Pemberton, Daily Telegraph“[The book] is admirably wide-ranging, none the less, offering a survey of magic from the beginning of the 19th century until the present day, clearly demonstrating its ubiquity, its importance, and its persistence” — William Whyte, Church Times“Waters has…produced a magnificent history of 19th and 20th-century British witchcraft.”—Simon Young, Times Higher Education "Waters will certainly get his readers thinking."—Ceri Houlbrook, The Canadian Journal of History“There are many histories of witchcraft and magic, but this one is distinguished by its impressive scholarship, compelling narratives and good writing.”—Fortean Times “A timely account of the ebb and flow of belief in the black arts in modern times. It's fascinating, well-researched and utterly compelling.”—Michelle Paver, author of Wakenhyrst“This is one of those pioneering studies which immediately establishes a mastery of its field. It is broad, adventurous, subtle, painstaking and in places perhaps controversial: at once a glittering debut and a monument of scholarship.”—Ronald Hutton, author of The Witch“Built around numerous intriguing case studies, Cursed Britain charts the continued fear of witchcraft and harmful magic in Britain and beyond over the last two centuries. Authoritative and engaging, Waters’ book explores and explains why we should seek to understand the magical beliefs of our recent ancestors, and also requires us to reflect on the continued belief in malign forces.”—Owen Davies, author of A Supernatural War“An important and timely investigation into how malevolent magic and counter magic has survived, adapted, declined, and revived in the modern age. This is also a very human history of fear, power, influence and imagination. Fascinating.”— Karl Bell, author of The Magical Imagination
This was quite a dense book with a lot of information that sometimes felt a little repetitive. Charting a course for modern witchcraft from the Georgian period through to the present day, this is a very detailed and... More
Waters demonstrates his an indepth knowledge about witchcraft through 1800's - present day.
This book may not be for everyone as it is rather academic in its writing style, but the chapters are very informative....
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A very interesting look into how belief in magic and witchcraft has been viewed (and at times, renewed) in Britain.
The fluctuations and regional differences are very interesting as well as the influence (and decline)...
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