Colour Films in Britain: The Eastmancolor Revolution (Hardback)
  • Colour Films in Britain: The Eastmancolor Revolution (Hardback)
zoom

Colour Films in Britain: The Eastmancolor Revolution (Hardback)

(author), (author), (author), (author)
£75.00
Hardback 384 Pages / Published: 16/12/2021
  • Coming soon

Awaiting publication

  • This item has been added to your basket
The story of Eastmancolor's arrival on the British filmmaking scene is one of intermittent trial and error, intense debate and speculation before gradual acceptance. This book traces the journey of its adoption in British Film and considers its lasting significance as one of the most important technical innovations in film history. Through original archival research and interviews with key figures within the industry, the authors examine the role of Eastmancolor in relation to key areas of British cinema since the 1950s; including its economic and structural histories, different studio and industrial strategies, and the wider aesthetic changes that took place with the mass adoption of colour. Their analysis of British cinema through the lens of colour produces new interpretations of key British film genres including social realism, historical and costume drama, science fiction, horror, crime, documentary and even sex films. They explore how colour communicated meaning in films ranging from the Carry On series to Monty Python's Life of Brian (1979), from Lawrence of Arabia (1962) to A Passage to India (1984), and from Goldfinger (1964) to 1984 (1984), and in the work of key directors and cinematographers of both popular and art cinema including Nicolas Roeg, Ken Russell, Ridley Scott, Peter Greenaway and Chris Menges.

Publisher: Bloomsbury Publishing PLC
ISBN: 9781911239581
Number of pages: 384
Dimensions: 246 x 189 mm


MEDIA REVIEWS
Rooted in detailed primary research into aesthetics, production practices, technologies and institutions, Colour Films in Britain, provides a comprehensive and illuminating consideration of the adoption, diffusion and popularization of colour in British cinema from the mid-1950s. -- Duncan Petrie, University of York, UK
Colour Films in Britain is a landmark study of the transition to colour that occurred in the 1960s and 1970s. No other book has yet tackled this transition with such depth, breadth and precision. The collaborative efforts of Sarah Street, Keith M. Johnston, Paul Frith and Carolyn Rickards are a model for research that I hope will soon be taken up in other national and transnational contexts. -- Joshua Yumibe, Michigan State University, USA

You may also be interested in...

The Wes Anderson Collection
Added to basket
Total Recall
Added to basket
The Definitive Guide To Screenwriting
Added to basket
The Celestine Prophecy
Added to basket
Screenwriting For Dummies
Added to basket
John Wayne: The Life and Legend
Added to basket
Hellraisers
Added to basket
£9.99
Paperback
The Good, The Bad and The Multiplex
Added to basket
Film: A Very Short Introduction
Added to basket
The Art of My Neighbor Totoro
Added to basket
The Big Screen
Added to basket
£14.99
Paperback
'Have You Seen...?'
Added to basket
Lynch on Lynch
Added to basket
£16.99
Paperback
The Digital Filmmaking Handbook
Added to basket
Audrey: Her Real Story
Added to basket
Star Trek: Light-Up Starship Enterprise
Added to basket

Please sign in to write a review

Your review has been submitted successfully.