Clay (Hardback)

A gently-evoked urban tragedy - and the most powerful and original debut novel I've read for years * A N Wilson, Readers Digest *
The way Harrison weaves the threads of her story together has echoes of John Lancaster's much-praised recent novel Capital ... Harrison has a gift too for exploring human bonds ... It is in the descriptive passages that Harrison's lyrical style shines brightest ... Clay is an assured debut novel, that reads like the work of a much more experienced author. Expect great things of Harrison * Evening Standard *
It's no surprise to learn that Melissa Harrison, the award-winning author of this thoughtful first novel, is also a photographer. Her strong visual sense is reflected in the sharply focused descriptions of the changing seasons which form the backdrop to a story of bonds created across national and generational divides ... An insightful study of common humanity and unintended inhumanity * Daily Mail *
Melissa Harrison draws on the urban pastoral style of writers such as Robert Macfarlane ... Her season-by-season chronicle of human deeds against the changing backdrop of plant and animal life conjures up the Shepherd's Calendars of poets such as Spenser and Clare, and a bucolic tradition of rural verse that stretches back into antiquity ... What never falters is the fierce and tender grace of her natural descriptions ... As a nature-writer, Harrison has already, gloriously, blossomed; as a story-teller, she is still in bud. But every reader who cherishes even the scruffiest patch of urban greenery should rejoice in the `beloved territory' she digs up in Clay * Boyd Tonkin, Independent *
There is a pleasing lack of overt symbolism ... In its loving yet unsentimental depictions of nature, the book is a great success. This is a story that unites people with their surroundings * Times Literary Supplement *
Deeply felt ... Reminiscent, at times, of Rose Tremain's The Road Home, this debut has also been praised by nature writer Robert Macfarlane, and Harrison writes beautifully of the changing seasons. Set against their gentle progress, Harrison's heartbreaking denouement, while predictable, is by contrast all the more shattering * The Lady *
Instantly beautiful in its calm and wise tone * Robert Macfarlane *
Harrison gives lovely expression to her vision of an ecosystem thrumming away beneath the grime of city life * Guardian *
Striking debut novel * Independent *
Clay addresses vital concerns about class and society in gorgeously precise prose ... A novel like this only works when the author persuades you they can get into the heads of radically different characters with equal success - a challenge Harrison more than meets * Metro *
Combining fiction with nature writing, it's peppered with keenly observed descriptions * Observer *
At the heart of Clay is a hymn to attentiveness, both to the natural world and to those we share it with. Stepping out after finishing this book, you may find yourself looking at your own streets with a little more care * Financial Times *
Harrison's serene and measured style of writing does nothing to detract from the passion she has for her subject. This is a haunting, finely written story which will linger in the mind * Red *
The wonderful power of her looking builds a quiet, cumulative poetry. An impressive debut * Mark Cocker, author of Crow Country *
Melissa Harrison's lyrical, precise and beguiling debut novel manages a huge feat of scale, imbuing the absolutely ordinary and marginal with the long memory of place. It's full of intricate human drama, but aches with something bigger and older. It has its own weather * Paul Farley, author of The Ice Age *
Heartfelt, elegiac ... lovingly observed * The Sunday Times *
This lovely novel reinforces how essential green spaces are to all of our lives * BBC Countryfile *
This month's best books ... Harrison's keenly observed depictions of the common's wildness provide a vivid setting for the emotional struggles of her characters * Marie Claire *
Country comes to town with lyrical, visceral power ... She evokes with rhapsodic delight the animal and plant life that still flourishes amid the concrete and Tarmac * Independent *
Among the 2013 debuts, I was taken with Melissa Harrison's Clay. Most reviewers seem to have mistaken it for realism, whereas Harrison, a nature writer if ever there was one, is reaching after something else - a communal style (reminiscent of that of Nan Shepherd a century ago) with a formal determination to meet shared needs. It's beautifully written and doesn't need compromise * Ali Smith, New Statesman Books of the Year *