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Cindy Sherman (Hardback)
  • Cindy Sherman (Hardback)
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Cindy Sherman (Hardback)

(author), (other)
£40.00
Hardback 264 Pages / Published: 06/02/2012
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Published to accompany the first major survey of Cindy Shermans work in the United States in nearly 15 years, this publication presents a stunning range of work from the groundbreaking artists 35-year career. Showcasing approximately 180 photographs from the mid-1970s to the present, including new works made for the exhibition and never before published, the volume is a vivid exploration of Shermans sustained investigation into the construction of contemporary identity and the nature of representation. The book highlights major bodies of work including her seminal Untitled Film Stills (197780); Centerfolds (1981); History Portraits (1989 90); Headshots (2000); and, two recent series on the experience and representation of aging in the context of contemporary obsessions with youth and status. An introductory essay by curator Eva Respini provides an overview of Shermans career, weaving together art historical analysis and discussions of the artists working methods, and a contribution by art historian Johanna Burton offers a critical re-examination of Shermans work in light of her recent series. A conversation between Cindy Sherman and filmmaker John Waters provide an enlightening view into the creative process.

Publisher: Museum of Modern Art
ISBN: 9780870708121
Number of pages: 264
Weight: 2120 g
Dimensions: 312 x 249 x 28 mm


MEDIA REVIEWS
At many points throughout this dense, often exciting show .... we are confronted by an artist with an urgent, singularly personal vision, who for the past 35 years has consistently and provocatively turned photography against itself. She comes across here as an increasingly vehement avenging angel waging a kind of war with the camera, using it to expose what might be called both the tyranny and the inner lives of images, especially the images of women that bombard and shape all of us at every turn.
Although not one of her images qualifies, exactly, as a self-portrait, the Modern's show is above all an inspiring portrait of the artist ceaselessly at work, striving never to repeat herself, always trying to go deeper and further in one direction or another. Her self - remorseless, generous, imaginative and shrewd - is everywhere.--Roberta Smith "The New York Times "

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