Charles Robert Maturin and the Haunting of Irish Romantic Fiction (Hardback)
  • Charles Robert Maturin and the Haunting of Irish Romantic Fiction (Hardback)
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Charles Robert Maturin and the Haunting of Irish Romantic Fiction (Hardback)

(author)
£85.00
Hardback 224 Pages
Published: 20/10/2011
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A self-described “disappointed Author”, Charles Robert Maturin (1780-1824) has been largely relegated to the margins of literary history since his death in 1824. Yet, as this study demonstrates, he exerted a fundamental influence on the development of Irish fiction in the early nineteenth century. In particular, his novels dramatically underscore the continuing presence and deployment of the Gothic mode in Romantic Ireland – an influence now frequently overlooked in critical attention to the national and regional forms popularized in Ireland in the wake of Anglo-Irish Union (1801). Working from Jacques Derrida’s influential theory on ghosts, this study positions Maturin as the cornerstone on which to build a new paradigm of Irish Romantic fiction, one which accounts for the spectral traces of the past – cultural, social, and political – evident in early-nineteenth century Irish fiction. As it does so, it calls for renewed critical and popular attention to an author who himself continues spectrally to emerge in the works of his literary successors.

Publisher: Manchester University Press
ISBN: 9780719085321
Number of pages: 224
Weight: 408 g
Dimensions: 216 x 138 x 14 mm


MEDIA REVIEWS

Illuminating...a welcome addition to Maturin criticism.What is it about Ireland's past that haunts the imagination? To an extent every Irish authorhas raised that question, but none other than Maturin has given it, as Morin reveals, such a vast array of complex and troubling answers.This book is valuable for scholars interested in Irish romanticism, and in the Gothic more generally, and through its intelligent analysis of Maturin’s novels will no doubt succeed in its attempt to ‘raise’ his literary ghost.Overall, Morin’s work offers an impassioned sense of the importance of Maturin’s haunting presence in our literary history. Her conclusion offers a survey of Maturin’s influence on writers from Baudelaire to John Banville, and a call for the source of that influence to be better understood. This volume is an important contribution to that project. - .

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