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Cambridge Studies in Nineteenth-Century Literature and Culture: Charles Darwin and Victorian Visual Culture Series Number 50 (Paperback)
  • Cambridge Studies in Nineteenth-Century Literature and Culture: Charles Darwin and Victorian Visual Culture Series Number 50 (Paperback)
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Cambridge Studies in Nineteenth-Century Literature and Culture: Charles Darwin and Victorian Visual Culture Series Number 50 (Paperback)

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£22.99
Paperback 378 Pages / Published: 14/05/2009
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Although The Origin of Species contained just a single visual illustration, Charles Darwin's other books, from his monograph on barnacles in the early 1850s to his volume on earthworms in 1881, were copiously illustrated by well-known artists and engravers. In this 2006 book, Jonathan Smith explains how Darwin managed to illustrate the unillustratable - his theories of natural selection - by manipulating and modifying the visual conventions of natural history, using images to support the claims made in his texts. Moreover, Smith looks outward to analyse the relationships between Darwin's illustrations and Victorian visual culture, especially the late-Victorian debates about aesthetics, and shows how Darwin's evolutionary explanation of beauty, based on his observations of colour and the visual in nature, were a direct challenge to the aesthetics of John Ruskin. The many illustrations reproduced here enhance this fascinating study of a little known aspect of Darwin's lasting influence on literature, art and culture.

Publisher: Cambridge University Press
ISBN: 9780521135795
Number of pages: 378
Weight: 600 g
Dimensions: 244 x 173 x 18 mm


MEDIA REVIEWS
'... a rewarding journey through Darwin's less well-known but richly illustrated works ... the range of illustrations is superb.' The Times Literary Supplement
'In the texture of its writing, the meticulousness of its scholarship, and the freshness of its analysis, Jonathan Smith's Charles Darwin and Victorian Visual Culture seems an understated and modest book. But it lives up to the ambition of its title and deserves to be recognised, in addition, as one of the finest (and most careful) cultural studies of Darwin that the growing Darwin industry has produced. This is a major book, one of the very few studies of Darwin that attends to the entire range of his writing. By virtue of what I would like to think of as Darwinian attention to the smallest details, it manages to read Darwin into his culture better than almost any other previous work.' George Levine, Rutgers University
'Overall, Voss's analysis of Darwin's images is studded throughout with insights.' NTM
"...deserves to be recognized, in addition, as one of the finest (and most careful) cultural studies of Darwin that the growing Darwin industry has produced. This is a major book, one of the very few studies of Darwin that attends to the entire range of his writing. By virtue of what I would like to think of as Darwinian attention to the smallest details, it manages to read Darwin into his culture better than almost any other previous work" -George Levine, Rutgers University
"He argues persuasively that Darwin's images should not be considered merely as adornment, or even as illustration in the rhetorical sense, but as a thoroughly integrated component of the work in which they appear." -Science
"Charles Darwin and Victorian Visual Culture is a rich, compelling study that reflects a growing interest across disciplines in the imagery of science...Smith's book is a major contribution to this growing sub-field, not just for its subjects but for its approach to the imagery." -Martha Lucy, The Barnes Foundation, Journal of Interdisciplinary History
"It offers a fresh perspective on Darwin by juxtaposing insights into the publishing history of his books with interpretations, often compelling, of the images used to accompany the texts." -Lucy Hartley, University of Michigan, Victorian Studies

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