This book is exceptional amongst those that have appeared so far in this well-established series, in that it is largely written by those who worked with the composer and assisted him during the period in which the opera was composed and first put on the stage. It will thus remain a source of first-hand information on Britten's final operatic achievement. Donald Mitchell was Britten's publisher at the time of Death in Venice and his Introduction includes many personal observations on the genesis of the work. The latter part of the book contains essays by T. J. Reed and Patrick Carnegy on the libretto's source in Thomas Mann's novella and Philip Reed compares briefly Visconti's cinematic interpretation of the novella. The volume is richly illustrated with music examples, sketches and extracts from the autograph score, and pictures from the first production. It will make an essential reference work and indispensable companion for opera-goers, students and scholars alike.
Publisher: Cambridge University Press
Number of pages: 248
Weight: 320 g
Dimensions: 216 x 140 x 14 mm
You may also be interested in...
Please sign in to write a review
Simply reserve online and pay at the counter when you collect. Available in shop from just two hours, subject to availability.
Thank you for your reservation
Your order is now being processed and we have sent a confirmation email to you at
When will my order be ready to collect?
Following the initial email, you will be contacted by the shop to confirm that your item is available for collection.
Call us on or send us an email at
Unfortunately there has been a problem with your order
Please try again or alternatively you can contact your chosen shop on or send us an email at