Bad Modernisms thus builds on and extends the "new modernist studies," recent work marked by the application of diverse methods and attention to texts and artists not usually labeled as modernist. In this collection, these developments are exemplified by essays ranging from a reading of dandyism in 1920s Harlem as a performance of a "bad" black modernist imaginary to a consideration of Filipino American modernism in the context of anticolonialism. The contributors reconsider familiar figures-such as Virginia Woolf, D. H. Lawrence, Josef von Sternberg, Ludwig Wittgenstein, W. H. Auden, and Wyndham Lewis-and bring to light the work of lesser-known artists, including the writer Carlos Bulosan and the experimental filmmaker Len Lye. Examining cultural artifacts ranging from novels to manifestos, from philosophical treatises to movie musicals, and from anthropological essays to advertising campaigns, these essays signal the capaciousness and energy galvanizing the new modernist studies.
Contributors. Lisa Fluet, Laura Frost, Michael LeMahieu, Heather K. Love, Douglas Mao, Jesse Matz, Joshua L. Miller, Monica L. Miller, Sianne Ngai, Martin Puchner, Rebecca L. Walkowitz
Publisher: Duke University Press
Number of pages: 376
Weight: 517 g
Dimensions: 222 x 156 x 22 mm
"I envision Bad Modernisms as a linchpin in the 'new modernist studies.' This sprightly, compelling volume gives us a map for that conversation; offers a guide to the tangled pathways of history, criticism, and cultural practice that converge in modernist studies; and reveals the astonishingly ample, indeed global, playing field of the discourse of modernism."-Jennifer Wicke, author of Advertising Fictions: Literature, Advertisement, and Social Reading