This study is the first to examine the relationship between art and violence in 15th-century Florence, exposing the underbelly of a period more often celebrated for enlightened and progressive ideas. Renaissance Florentines were constantly subjected to the sight of violence, whether in carefully staged rituals of execution or images of the suffering inflicted on Christ. There was nothing new in this culture of pain, unlike the aesthetic of violence that developed towards the end of the 15th century. It emerged in the work of artists such as Piero di Cosimo, Bertoldo di Giovanni, Antonio del Pollaiuolo, and the young Michelangelo. Inspired by the art of antiquity, they painted, engraved, and sculpted images of deadly battles, ultimately normalizing representations of brutal violence. Drawing on work in social and literary history, as well as art history, Scott Nethersole sheds light on the relationship between these Renaissance images, violence, and ideas of artistic invention and authorship.
Publisher: Yale University Press
Number of pages: 320
Weight: 1510 g
Dimensions: 267 x 216 mm
"This timely book is very much a product of the present era, which is marked by inexplicable violence worldwide and a determination to understand the root causes of violence and the mechanisms that allow it to perpetuate . . . The author takes a broad contextual, non-politicized approach, making a significant contribution to the literature. Including excellent illustrations, this book should raise awareness of the subject."--A. V. Coonin, Choice