An Aesthetic Occupation: The Immediacy of Architecture and the Palestine Conflict (Hardback)Daniel Bertand Monk (author)
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In An Aesthetic Occupation Daniel Bertrand Monk unearths the history of the unquestioned political immediacy of "sacred" architecture in the conflict between Palestinians and Israelis. Monk combines groundbreaking archival research with theoretical insights to examine in particular the Mandate era-the period in the first half of the twentieth century when Britain held sovereignty over Palestine. While examining the relation between monuments and mass violence in this context, he documents Palestinian, Zionist, and British attempts to advance competing arguments concerning architecture's utility to politics.
Succumbing neither to the view that monuments are autonomous figures onto which political meaning has been projected, nor to the obverse claim that in Jerusalem shrines are immediate manifestations of the political, Monk traces the reciprocal history of both these positions as well as describes how opponents in the conflict debated and theorized their own participation in its self-representation. Analyzing controversies over the authenticity of holy sites, the restorations of the Dome of the Rock, and the discourse of accusation following the Buraq, or Wailing Wall, riots of 1929, Monk discloses for the first time that, as combatants looked to architecture and invoked the transparency of their own historical situation, they simultaneously advanced-and normalized-the conflict's inability to account for itself.
This balanced and unique study will appeal to anyone interested in Israel or Zionism, the Palestinians, the Middle East conflict, Jerusalem, or its monuments. Scholars of architecture, political theory, and religion, as well as cultural and critical studies will also be informed by its arguments.
Publisher: Duke University Press
Number of pages: 272
Weight: 626 g
Dimensions: 230 x 158 x 26 mm
"Why is the question of Israel/Palestine so intractable? Why, in this supposedly enlightened, secular age, does there seem to be no exit from a conflict that has focussed obsessively on the material features of this tiny country for millennia? How is it that the very stones, monuments, and landscape have become so invested with conflicting values that they seem to have `lives of their own' that are not simply shaped by historical events, but themselves play the role of causal agents in those events? Daniel Monk's brilliant and profound meditation on these questions eschews all the easy alternatives: it avoids the temptation both of one-sided polemics (on the one hand) and Olympian neutrality (on the other); it refuses to pass over the fetishizing of monuments and places as a mere symptom that could be dispelled by critique; above all, it insists on looking steadily at the objects themselves in all their paradoxical, conflicted formulations, their positioning in events, memories of events, and fantasies of a final event to come. This is an essential book for anyone who wants to think about the Holy Land, or about the way objects make and are made by history."-W. J. T. Mitchell, University of Chicago, Editor, Critical Inquiry