During the 1930s, the world of photography was unsettled, exciting, and boisterous. John Raeburn's "A Staggering Revolution" recreates the energy of the era by surveying photography's rich variety of innovation, exploring the aesthetic and cultural achievements of its leading figures, and mapping the paths their pictures blazed public's imagination. While other studies of thirties photography have concentrated on the documentary work of the Farm Security Administration (FSA), no previous book has considered it alongside so many of the decade's other important photographic projects. "A Staggering Revolution" includes individual chapters on Edward Steichen's celebrity portraiture; Berenice Abbott's Changing New York project; the Photo League's ethnography of Harlem; and, Edward Weston's western landscapes, made under the auspices of the first Guggenheim Fellowship awarded to a photographer. It also examines Margaret Bourke-White's industrial and documentary pictures, the collective undertakings by California's Group f.64, and the fashion magazine specialists, as well as the activities of the FSA and the Photo League. Raeburn's expansive study explains how the democratic atmosphere of thirties photography nourished innovation and encouraged new heights of artistic achievement. It also produced the circumstances that permitted artful photography to become such a thriving public enterprise during the decade. "A Staggering Revolution" offers an illuminating analysis of the sociology of photography's art world and its galleries and exhibitions, but also demonstrates the importance of the novel venues created by impresarios and others that proved essential to photography's extraordinary dissemination. These new channels, including camera magazines and annuals, volumes of pictures enhanced by text, and omnibus exhibitions in unconventional spaces, greatly expanded photography's cultural visibility. They also made its enthusiastic audience larger and more heterogeneous than ever before - or since.
Publisher: University of Illinois Press
Number of pages: 424
Weight: 875 g
Dimensions: 254 x 178 x 28 mm
"Raeburn skillfully treats the role of the FSA photography project in the contexts of art. In the process he offers the most nuanced, perceptive discussion of the much-misunderstood role of FSA project chief Roy Emerson Stryker that I have ever read. Even for those of us well-schooled in the history and practices of the FSA, these chapters offer something new and valuable. . . . Raeburn challenges readers to look beyond received wisdom about the visual culture of the 1930s and explore it anew for themselves."--American Historical Review
"A sweeping cultural history of 1930s photography and a passionate argument that photographs are powerful pieces of historical evidence and should not be treated as merely illustrations."--Winterthur Portfolio