A Capsule Aesthetic: Feminist Materialisms in New Media Art (Paperback)
  • A Capsule Aesthetic: Feminist Materialisms in New Media Art (Paperback)
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A Capsule Aesthetic: Feminist Materialisms in New Media Art (Paperback)

(author)
£20.99
Paperback 168 Pages / Published: 23/01/2018
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How new media art informed by feminism yields important and original insights about interacting with technologies In A Capsule Aesthetic, Kate Mondloch examines how new media installation art intervenes in the fields of technoscience and new materialism, showing how three diverse artists-Pipilotti Rist, Patricia Piccinini, and Mariko Mori-contribute to the urgent conversation about everyday technology and the ways it constructs our bodies. A Capsule Aesthetic establishes the unique insights that feminist theory offers to new media art and new materialisms, offering a fuller picture of human-nonhuman relations. In-depth readings of works by Rist, Piccinini, and Mori explore such questions as the role of the contemporary art museum in our experience of media art, how the human is conceived of by biotechnologies, and how installation art can complicate and enrich contemporary science\u2019s understanding of the brain. With vivid, firsthand descriptions of the artworks, Mondloch takes the reader inside immersive installation pieces, showing how they allow us to inhabit challenging theoretical concepts and nonanthropomorphic perspectives. Striving to think beyond the anthropocentric and fully consider the material world, A Capsule Aesthetic brings new approaches to questions surrounding our technology-saturated culture and its proliferation of human-to-nonhuman interfaces.

Publisher: University of Minnesota Press
ISBN: 9781517900496
Number of pages: 168
Dimensions: 216 x 140 x 25 mm


MEDIA REVIEWS

"Mondloch shows that new media art installations and theories of feminist materialism inform one another in ways of interest to artists, art historians, and new media and feminist scholars."-CHOICE

"Mondloch's approach couples aesthetics and ethics through activist prose that is unafraid to embrace populism or pleasure, or to revisit theoretical and historical misreadings of the past (and present). This book does not attempt to explain anything. Rather, it practices, and invites us to practice, conceptual-material engagements with art, and thus sensation, perception, and action. Such practice, the author convincingly argues over the entirety of her manuscript, is intrinsically feminist."-Theory & Event

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