Vividly evoking the turbulence of the Cold War and Fidel Castro's regime, this remarkable graphic memoir from one of the world's leading political artists chronicles Rodriguez's harrowing journey from Cuba to Florida through breathtaking art.
Hailed for his iconic art on the cover of Time and on jumbotrons around the world, Edel Rodriguez is among the most prominent political artists of our age. Now for the first time, he draws his own life, revisiting his childhood in Cuba and his family's passage on the infamous Mariel Boatlift.
When Edel was nine, Fidel Castro announced his surprising decision to let 125,000 traitors of the revolution, or 'worms,' leave the country. The faltering economy and Edel's family's vocal discomfort with government surveillance had made their daily lives on a farm outside Havana precarious and they secretly planned to leave. But before that happened, a dozen soldiers confiscated their home and property and imprisoned them in a detention center near the port of Mariel, where they were held with dissidents and criminals before being marched to a flotilla that miraculously deposited them, overnight, in Florida.
Through vivid, stirring art, Worm tells a story of a boyhood in the midst of the Cold War, of a family's displacement in exile and of their tenacious longing for those they left behind. It also recounts the coming of age of an artist and activist, who, witnessing American's turn from democracy to extremism, struggles to differentiate his adoptive country from the dictatorship he fled.
Confronting questions of patriotism and the liminal nature of belonging, Edel Rodriguez ultimately celebrates immigrants, maligned and overlooked, who guard and invigorate American freedom.
Publisher: Orion Publishing Co
ISBN: 9781474616720
Number of pages: 304
Weight: 1220 g
Dimensions: 258 x 198 x 28 mm
Exhilarating, immensely powerful, gorgeous, it really does open the imagination and sweep you up - Philippe Sands, bestselling author of EAST WEST STREET and THE RATLINE
WORM is testament to the power of political art - CREATIVE REVIEW
Shocking. Brilliant. Soul-shattering in its terrible beauty. In WORM, Edel Rodriguez rips open a heart-shaped window onto a hate-shaped world. I can't believe he survived it, but am deeply glad he did and was able to tell the tale. This book is so good it will likely be banned in Florida - Chip Kidd, author of THE CHEESE MONKEYS
WORM has consumed me more than any memoir I've read before, and that is saying a lot. It belongs in the pantheon that Maus built - Steven Heller, Print Magazine
Fascinating and complex . . . A passionate firsthand account of historical events and a compelling coming-of-age tale in one - Library Journal
A sharply observed document of totalitarianism and its discontents - Kirkus (starred review)
WORM is a long and brilliant read, its artwork immediate and dramatic in its reduced palette of red, green, white and black, its writing tense and touched with a great talent for telling detail . . . A wise and life-stuffed memoir - Will Steen, Buzz Magazine
Uniquely positioned to comment on autocracies and authoritarianism, Rodriguez reveals his personal fears about the future of the United States, particularly after the Jan. 6 insurrection. He portrays the crowd on the Capitol much like the one in Havana in January 1959 that starts the novel, bringing it full-circle in a striking visual comparison - Donna Edwards, Associated Press
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