John le CarréOne of the greatest spy novelists of all time, John le Carré’s life encompasses the Cold War era, when he served as a British Intelligence Officer, through a career as a writer that spans six decades. He is best-known for creating the quintessential spy George Smiley, the central character in his most successful novel, Tinker Tailor Soldier Spy.
Intelligence operations that were once the toast of secret London, and involved such characters as Alec Leamas, Jim Prideaux, George Smiley and Peter Guillam himself, are to be scrutinised under disturbing criteria by a generation with no memory of the Cold War and no patience with its justifications.
George Smiley - The Spy Who Came in From the Cold
Born David John Moore Cornwell in 1931, the early years of the writer John le Carré’s career were, for many years, shrouded in secrecy. A spy for MI5 during the Cold War era, le Carré had, in fact, worked in intelligence since he was sixteen, having left the country to study languages in Switzerland, he comments: “I act like a gent but I am wonderfully badly born. My father was a confidence trickster and a gaol bird. Read A Perfect Spy.”
While living in Berne, le Carré met an MI6 official from the British Consul with whom he maintained contact when he returned to England. He studied at Oxford where he joined MI5, becoming an officer in 1958 and later transferring to MI6 before being forced to leave the service after security leaks by the disgraced former agent Kim Philby.
During this time he wrote and published his first three novels under the le Carré pseudonym, Call for the Dead, A Murder of Quality and The Spy Who Came in from the Cold, establishing a career as a writer of espionage thrillers which has continued for over six decades.
Most of le Carré’s early writing centres on spy-craft and the complex political and morally dubious world of the Secret Intelligence Service (‘The Circus’) during the Cold War era.
Le Carré is probably most well-known for creating the character of George Smiley, the quintessential Cold War operative. An antidote to Fleming’s racier James Bond, Smiley is cool, thoughtful, somewhat academic and (superficially) “breathtakingly normal” with a somewhat ambivalent attitude to the Service and its efficacy.
Smiley appears in eight of le Carré’s novels, most notably in the much-adapted Tinker Tailor Soldier Spy, le Carré’s take on the exposing of the Cambridge Five in the 1960’s.
Although le Carré has spoken publically about basing Smiley partly on the real-life spy and novelist John Bingham, he has always denied that his novels are exposés, saying “It is the stuff of dreams, not reality. Yet I am treated by the media as though I wrote espionage handbooks.”
Beyond the Iron Curtain
In the early 1990’s, le Carré’s fiction changed tack as he shifted his attention from the East/West spy-ring to wider political issues of the arms trade, modern conflict and drug-trafficking. This change in style is exemplified in The Night Manager, his first post-Cold-War novel, published in 1993.
Since then le Carré has continued to write thrillers with a range of themes, often criticising the role of the Intelligence Service from within. These include The Constant Gardner, set against the backdrop of a medical experimentation scandal in Kenya and The Tailor of Panama (in part based on Graeme Greene’s Our Man in Havana) which The New York Times called ‘a tour de force in which almost every convention of the classic spy novel is violated.’
Much adapted for radio, film and television, le Carré continues to be a benchmark for espionage writing and an abiding literary influence on contemporary literature.
‘…he invokes deep, almost religious ideas of betrayal, trust, faith, and that’s why we love it.’ The Guardian
For a different take on Cold War espionage, we recommend turning first to Ian Fleming, in particular From Russia, With Love – no doubt a less nuanced picture of Cold War relations than le Carrés but no less enjoyable for that. Lionel Davidson’s Kolymsky Heights is something of a forgotten classic of the genre, a brilliantly executed thriller. We’d also recommend Ian McEwan’s novels The Innocent and Sweet Tooth, both convincing blend of human and political entanglements. For the same cool psychological kick you get from a le Carré, turn to the novels of Eric Ambler (we’d recommend starting with The Mask of Dimitrios) and the master of dramatic understatement Graham Greene, his novel Our Man in Havana is a nice, often humorous counterpoint to le Carré’s picture of Cold War politics.
For further reading on his life and career, we would certain recommend the excellent John le Carré by the awardwinning biographer Adam Sisman.