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J. R. R. Tolkien

It is a peculiarly British slice of history that our greatest works of fantasy should have emerged from a group of academics sitting in a smoke-filled local pub. The group was, of course, the Inklings and the pub was the Eagle and Child (known colloquially as the Bird and Baby) in Oxford.

The group included the bard of myth and children’s fable Roger Lancelyn Green, the creator of Narnia, C.S. Lewis and, perhaps most famously of all, the Lord of Middle Earth himself, John Ronald Reuel Tolkien.

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Before The Hobbit and The Lord of the Rings, before walking trees and the ringing songs of elves, J.R.R. Tolkien created the City of Seven Names, the seat of the stone-enchanted legend of The Fall of Gondolin.

The crowning volume in Christopher Tolkien’s project to bring his father’s legacy to print, The Fall of Gondolin presents J.R.R. Tolkien’s original tale of Middle Earth for the first time as a complete, stand-alone volume. Completing the epic cycle of ‘Great Tales’ that includes Beren and Luthien and The Children of Hurin, the volume is brought to shimmering life with exquisite new illustrations by the acclaimed visionary of Middle Earth, artist Alan Lee.

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'One Ring to Rule Them All'

Our paperback editions of The Lord of the Rings and The Hobbit

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The Fellowship of the Ring
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The Two Towers
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The Return of the King
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The Hobbit
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The Hobbit
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‘All that is gold does not glitter.’

Superb gift editions of both The Lord of the Rings and The Hobbit

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The Lord of the Rings
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‘Home is behind, the world ahead and there are many paths to tread.’

Stunning maps and artwork of Tolkien’s finest single achievement: Middle Earth

Tolkien: Maker of Middle-earth
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Tolkien: Treasures
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The Dark Powers of Tolkien
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Dot-to-Dot of Tolkien
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Middle-earth Landscapes
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Tolkien's World: A Colouring Book
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After the grey havens

Posthumous fiction from Middle Earth, drawn from Tolkien's notes and unfinished work

The Fall of Gondolin
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Beren and Luthien
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Tales from the Perilous Realm
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The Silmarillion
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Beowulf
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The Fall of Arthur
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‘Speak friend and enter.’

Take the world of elves, ring-wraiths and trolls anywhere you go with our gripping audio collections

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The Making of the Fellowship

Tolkien biography and criticism

The Road to Middle-earth
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Tolkien and the Great War
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A Hobbit, a Wardrobe, and a Great War
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A Well of Wonder
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J. R. R. Tolkien
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There and Back Again
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Tolkien On Fairy-Stories
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J. R. R. Tolkien
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The Letters of J. R. R. Tolkien
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J. R. R. Tolkien Biography


Before the Beginning

The childhood landscape that influenced Tolkien’s later fantasy world was a mixture of the gentle, rolling countryside of the West Midlands, the industrial hub of Birmingham, and the wilder hills of the Welsh borders.

A keen linguist, Tolkien showed an early proficiency in Latin, Greek and Finnish, as well as making up his own languages for fun. During active service in the First World War, having lost all but one of his close friends, he started to pull together stories ‘in huts full of blasphemy and smut, or by candle light in bell-tents’, a collection which later became the posthumously published Book of Lost Tales.

Returning from the front, he began a career in academia, first in Leeds where he and his colleague E.V. Gordon collaborated on their translation of Sir Gawain and the Green Knight and then at Oxford, where he wrote his version of Beowulf.


‘In a hole in the ground there lived a hobbit’

Some of Tolkien’s earliest stories began life as tales for his children, including The Pocket Roverandom, The Adventures of Tom Bombadil and Farmer Giles of Hamalongside his treasured Letter from Father Christmas.

Having idly come up with the idea of a creature living in a hill, Tolkien found himself needing a world and a story to put him in and so Bilbo Baggins, the wizard Gandalf and the first pieces of the Middle Earth puzzle were realised in The Hobbit. A modest success, several critics dismissed the book, with one commenting,‘this is not a work which many adults will read through more than once,’ - a view he was perhaps later forced to concede that was somewhat short-sighted.

Tolkien’s second foray into the world was The Silmarillion but publishers rejected it as too dense – Tolkien agreed ‘they were quite right’ and later revised the text. He returned to his earlier notes for the three volumes (The Fellowship of the Ring, The Two Towers and The Return of the King) that would become The Lord of the Rings, a book that was to take him fourteen years to write.

Early modest sales and critical reception in Britain were aided by a hedonistic, 1960s counter-cultural following in the United States, its nororiety accelerated by a pirated paperback edition, forcing one University of California, Berkeley official to describe The Lord of the Rings as ‘more than a campus craze; it’s like a drug dream’. It was a following Tolkien had mixed views about, describing it as an ‘absurd frenzy’; it was nevertheless a frenzy that would make him not only famous, but wealthy.


‘The road goes ever on and on…’

Tolkien died in 1973 having achieved the status of a cult hero, enjoying considerable commercial success. Many Waterstone’s booksellers began their reading lives with his books and were delighted when he came top in our poll to find the greatest book of the twentieth century.

Despite being against dramatizing the books – he famously said ‘it would be easier to film The Odyssey,’ – they have nevertheless become some of the most watched (and profitable) films of all time.

Tolkien’s son, Christopher Tolkien (himself a former Inkling and writer) has overseen the posthumous editing and publishing of many of Tolkien’s early works and drafted stories including The Children of Húrin, The Legend of Sigurd and Gudrún, The Fall of Arthur and, in 2017, The Tale of Beren and Lúthien.

Tolkien insisted to the last that his books couldn’t be updated and shouldn’t be seen as allegories but as what he intended them to be – fairy tales designed not to imagine our own world but to create another. ‘The reader must approach Faerie with a willing suspension of disbelief. If a thing can be technologically controlled, it ceases to be magical.’