Poetics (Paperback)

by Malcolm Heath, Aristotle, Malcolm Heath

Format: Paperback 144 pages

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Essential reading for all students of Greek theatre and literature, Aristotle's "Poetics" remains equally stimulating for anyone interested in literature. This "Penguin Classics" edition is translated with an introduction and notes by Malcolm Heath. In his near-contemporary account of classical Greek tragedy, Aristotle examine the dramatic elements of plot, character, language and spectacle that combine to produce pity and fear in the audience, and asks why we derive pleasure from this apparently painful process. Taking examples from the plays of "Aeschylus", "Sophocles" and "Euripides", the "Poetics" introduced into literary criticism such central concepts as mimesis ('imitation'), hamartia ('error') and katharsis, which have informed serious thinking about drama ever since. Aristotle explains how the most effective tragedies rely on complication and resolution, recognition and reversals, while centring on characters of heroic stature, idealised yet true to life. One of the most perceptive and influential works of criticism in Western literary history, the "Poetics" has informed serious thinking about drama ever since. Malcolm Heath's lucid translation makes the "Poetics" fully accessible to the modern reader. It is accompanied by an extended introduction, which discusses the key concepts in detail, and includes suggestions for further reading. Aristotle (384-22 BC) studied at the Academy of Plato for 20 years and then established his own school and research institute, 'The Lyceum'. His writings, which were of extraordinary range, profoundly affected the whole course of ancient and medieval philosophy and are still eagerly studied and debated by philosophers today. If you enjoyed "Poetics", you might like Aristotle's "The Metaphysics", also available in "Penguin Classics".

Book details

Published
26/09/1996

Publisher
Penguin Classics

ISBN
9780140446364



Publisher and industry reviews

UK Kirkus review

Aristotle lays down a series of timeless rules regarding plot and structure. Some of what he says may seem self-evident - he defines, for instance, the beginning of a tragedy as that which does not necessarily follow anything else but which necessarily gives rise to further action. Well, duh. Even so, I think a yearly review of Poetics will sharpen anyone's writing. And, hey, if you're going to break the rules, you might as well know which ones you've violated. A writer who can explain the 'why' of a transgression is forging a version of his or her own personal Poetics. (Kirkus UK)

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